Post: Call Me Maybe Illuminatic?
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08-10-2012, 02:54 PM
#1
O.P
[move]:run:[/move]
I threw a wish in the well,
Don't ask me, I'll never tell
I looked to you as it fell,
And now you're in my way.
This throwing of a wish into a well is an allusion to her secret desire to become famous and wealthy. As she watches the "wish" fall into the abyss of obscurity, she looks to the only one who can grant her this: the Devil, who now obsesses her thoughts.
I'd trade my soul for a wish,
Pennies and dimes for a kiss
I wasn't looking for this,
But now you're in my way.
She names the only price she knows the Devil will accept for granting this wish: her eternal soul. She shamefully recounts her past of seeking fame by exchanging a little quid pro quo with sleazy casting agents, and reiterates that the Devil obsesses her thoughts.
Your stare was holdin',
Ripped jeans, skin was showin'
Hot night, wind was blowin'
Where you think you're going, baby?
She then recounts meeting Lucifer face-to-face; her clothing torn from the chimera, as the hot sulfuric winds blow through the eternal night of Hell. She questions the Devil, forgetting that she must invite him into her soul and says:
Hey, I just met you,
And this is crazy,
But here's my number,
So call me, maybe?
By proclaiming her "number" (666) she swears allegiance to Lucifer, and then coyly asks him to call upon her soul in exchange for her fame.
It's hard to look right,
At you baby,
But here's my number,
So call me, maybe?
Though repulsed and frightened by his physical appearance, she reiterates her allegiance to him and desires to be called upon.
And all the other boys,
Try to chase me,
But here's my number,
So call me, maybe?
She confesses that agents of God, specifically the unfallen Archangels, try to redeem her, but she steadfastly refuses by calling out
the number of the fallen one.
You took your time with the call,
I took no time with the fall
You gave me nothing at all,
But still, you're in my way.
She recalls the amount of time she had to wait to attain her fame, while it took her relatively no time to fall to his temptations. Even when she did not at first receive anything, he still occupied her thoughts.
I beg, and borrow and steal
At first sight and it's real
I didn't know I would feel it,
But it's in my way.
To prove her loyalty, she subjects herself to a life of street crime in his name, until finally she is granted her fame-- "at first sight and it's real." Note however that on the audio track, this line sounds like "Hail! For, Satan is real." An eerily apropos declaration to make after the closing of a deal with the Devil. She proceeds by admitting that she didn't know if fame would change her, but it too comes to consume her.
Before you came into my life
I missed you so bad
I missed you so bad
I missed you so so bad.
Before you came into my life
I missed you so bad
And you should know that.
So call me, maybe?
Now that she has attained her wealth and fame, she effusively thanks Lucifer and reproclaims her allegiance with the oft-repeated refrain, "so call me, maybe?" This is symbolic of the Illuminati rituals that will inevitably become a routine of her life.
I mean, the song is shit lyrically. How the hell could something so tasteless and dumb become big? Illuminati promoting it perhaps. How could a horrible song like that from a nobody be played more than rappers who already have a huge following like KanYe's Mercy?
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08-10-2012, 02:58 PM
#2
Media907
League Champion
Originally posted by OFWGKT
Well the song was playing on the radio the other day, and it was when she said "I'd trade my soul for a wish", and I started thinking. This whole song is an Illuminati inspired piece of shit. The below is a copy/paste, but everything in it is kind of true in my opinion.
I threw a wish in the well,
Don't ask me, I'll never tell
I looked to you as it fell,
And now you're in my way.
This throwing of a wish into a well is an allusion to her secret desire to become famous and wealthy. As she watches the "wish" fall into the abyss of obscurity, she looks to the only one who can grant her this: the Devil, who now obsesses her thoughts.
I'd trade my soul for a wish,
Pennies and dimes for a kiss
I wasn't looking for this,
But now you're in my way.
She names the only price she knows the Devil will accept for granting this wish: her eternal soul. She shamefully recounts her past of seeking fame by exchanging a little quid pro quo with sleazy casting agents, and reiterates that the Devil obsesses her thoughts.
Your stare was holdin',
Ripped jeans, skin was showin'
Hot night, wind was blowin'
Where you think you're going, baby?
She then recounts meeting Lucifer face-to-face; her clothing torn from the chimera, as the hot sulfuric winds blow through the eternal night of Hell. She questions the Devil, forgetting that she must invite him into her soul and says:
Hey, I just met you,
And this is crazy,
But here's my number,
So call me, maybe?
By proclaiming her "number" (666) she swears allegiance to Lucifer, and then coyly asks him to call upon her soul in exchange for her fame.
It's hard to look right,
At you baby,
But here's my number,
So call me, maybe?
Though repulsed and frightened by his physical appearance, she reiterates her allegiance to him and desires to be called upon.
And all the other boys,
Try to chase me,
But here's my number,
So call me, maybe?
She confesses that agents of God, specifically the unfallen Archangels, try to redeem her, but she steadfastly refuses by calling out
the number of the fallen one.
You took your time with the call,
I took no time with the fall
You gave me nothing at all,
But still, you're in my way.
She recalls the amount of time she had to wait to attain her fame, while it took her relatively no time to fall to his temptations. Even when she did not at first receive anything, he still occupied her thoughts.
I beg, and borrow and steal
At first sight and it's real
I didn't know I would feel it,
But it's in my way.
To prove her loyalty, she subjects herself to a life of street crime in his name, until finally she is granted her fame-- "at first sight and it's real." Note however that on the audio track, this line sounds like "Hail! For, Satan is real." An eerily apropos declaration to make after the closing of a deal with the Devil. She proceeds by admitting that she didn't know if fame would change her, but it too comes to consume her.
Before you came into my life
I missed you so bad
I missed you so bad
I missed you so so bad.
Before you came into my life
I missed you so bad
And you should know that.
So call me, maybe?
Now that she has attained her wealth and fame, she effusively thanks Lucifer and reproclaims her allegiance with the oft-repeated refrain, "so call me, maybe?" This is symbolic of the Illuminati rituals that will inevitably become a routine of her life.
I threw a wish in the well,
Don't ask me, I'll never tell
I looked to you as it fell,
And now you're in my way.
This throwing of a wish into a well is an allusion to her secret desire to become famous and wealthy. As she watches the "wish" fall into the abyss of obscurity, she looks to the only one who can grant her this: the Devil, who now obsesses her thoughts.
I'd trade my soul for a wish,
Pennies and dimes for a kiss
I wasn't looking for this,
But now you're in my way.
She names the only price she knows the Devil will accept for granting this wish: her eternal soul. She shamefully recounts her past of seeking fame by exchanging a little quid pro quo with sleazy casting agents, and reiterates that the Devil obsesses her thoughts.
Your stare was holdin',
Ripped jeans, skin was showin'
Hot night, wind was blowin'
Where you think you're going, baby?
She then recounts meeting Lucifer face-to-face; her clothing torn from the chimera, as the hot sulfuric winds blow through the eternal night of Hell. She questions the Devil, forgetting that she must invite him into her soul and says:
Hey, I just met you,
And this is crazy,
But here's my number,
So call me, maybe?
By proclaiming her "number" (666) she swears allegiance to Lucifer, and then coyly asks him to call upon her soul in exchange for her fame.
It's hard to look right,
At you baby,
But here's my number,
So call me, maybe?
Though repulsed and frightened by his physical appearance, she reiterates her allegiance to him and desires to be called upon.
And all the other boys,
Try to chase me,
But here's my number,
So call me, maybe?
She confesses that agents of God, specifically the unfallen Archangels, try to redeem her, but she steadfastly refuses by calling out
the number of the fallen one.
You took your time with the call,
I took no time with the fall
You gave me nothing at all,
But still, you're in my way.
She recalls the amount of time she had to wait to attain her fame, while it took her relatively no time to fall to his temptations. Even when she did not at first receive anything, he still occupied her thoughts.
I beg, and borrow and steal
At first sight and it's real
I didn't know I would feel it,
But it's in my way.
To prove her loyalty, she subjects herself to a life of street crime in his name, until finally she is granted her fame-- "at first sight and it's real." Note however that on the audio track, this line sounds like "Hail! For, Satan is real." An eerily apropos declaration to make after the closing of a deal with the Devil. She proceeds by admitting that she didn't know if fame would change her, but it too comes to consume her.
Before you came into my life
I missed you so bad
I missed you so bad
I missed you so so bad.
Before you came into my life
I missed you so bad
And you should know that.
So call me, maybe?
Now that she has attained her wealth and fame, she effusively thanks Lucifer and reproclaims her allegiance with the oft-repeated refrain, "so call me, maybe?" This is symbolic of the Illuminati rituals that will inevitably become a routine of her life.
probably not
kay:
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08-23-2012, 04:14 AM
#9
Jakes625
Guest
Originally posted by OFWGKT
Well the song was playing on the radio the other day, and it was when she said "I'd trade my soul for a wish", and I started thinking. This whole song is an Illuminati inspired piece of shit. The below is a copy/paste, but everything in it is kind of true in my opinion.
I threw a wish in the well,
Don't ask me, I'll never tell
I looked to you as it fell,
And now you're in my way.
This throwing of a wish into a well is an allusion to her secret desire to become famous and wealthy. As she watches the "wish" fall into the abyss of obscurity, she looks to the only one who can grant her this: the Devil, who now obsesses her thoughts.
I'd trade my soul for a wish,
Pennies and dimes for a kiss
I wasn't looking for this,
But now you're in my way.
She names the only price she knows the Devil will accept for granting this wish: her eternal soul. She shamefully recounts her past of seeking fame by exchanging a little quid pro quo with sleazy casting agents, and reiterates that the Devil obsesses her thoughts.
Your stare was holdin',
Ripped jeans, skin was showin'
Hot night, wind was blowin'
Where you think you're going, baby?
She then recounts meeting Lucifer face-to-face; her clothing torn from the chimera, as the hot sulfuric winds blow through the eternal night of Hell. She questions the Devil, forgetting that she must invite him into her soul and says:
Hey, I just met you,
And this is crazy,
But here's my number,
So call me, maybe?
By proclaiming her "number" (666) she swears allegiance to Lucifer, and then coyly asks him to call upon her soul in exchange for her fame.
It's hard to look right,
At you baby,
But here's my number,
So call me, maybe?
Though repulsed and frightened by his physical appearance, she reiterates her allegiance to him and desires to be called upon.
And all the other boys,
Try to chase me,
But here's my number,
So call me, maybe?
She confesses that agents of God, specifically the unfallen Archangels, try to redeem her, but she steadfastly refuses by calling out
the number of the fallen one.
You took your time with the call,
I took no time with the fall
You gave me nothing at all,
But still, you're in my way.
She recalls the amount of time she had to wait to attain her fame, while it took her relatively no time to fall to his temptations. Even when she did not at first receive anything, he still occupied her thoughts.
I beg, and borrow and steal
At first sight and it's real
I didn't know I would feel it,
But it's in my way.
To prove her loyalty, she subjects herself to a life of street crime in his name, until finally she is granted her fame-- "at first sight and it's real." Note however that on the audio track, this line sounds like "Hail! For, Satan is real." An eerily apropos declaration to make after the closing of a deal with the Devil. She proceeds by admitting that she didn't know if fame would change her, but it too comes to consume her.
Before you came into my life
I missed you so bad
I missed you so bad
I missed you so so bad.
Before you came into my life
I missed you so bad
And you should know that.
So call me, maybe?
Now that she has attained her wealth and fame, she effusively thanks Lucifer and reproclaims her allegiance with the oft-repeated refrain, "so call me, maybe?" This is symbolic of the Illuminati rituals that will inevitably become a routine of her life.
I mean, the song is shit lyrically. How the hell could something so tasteless and dumb become big? Illuminati promoting it perhaps. How could a horrible song like that from a nobody be played more than rappers who already have a huge following like KanYe's Mercy?
I threw a wish in the well,
Don't ask me, I'll never tell
I looked to you as it fell,
And now you're in my way.
This throwing of a wish into a well is an allusion to her secret desire to become famous and wealthy. As she watches the "wish" fall into the abyss of obscurity, she looks to the only one who can grant her this: the Devil, who now obsesses her thoughts.
I'd trade my soul for a wish,
Pennies and dimes for a kiss
I wasn't looking for this,
But now you're in my way.
She names the only price she knows the Devil will accept for granting this wish: her eternal soul. She shamefully recounts her past of seeking fame by exchanging a little quid pro quo with sleazy casting agents, and reiterates that the Devil obsesses her thoughts.
Your stare was holdin',
Ripped jeans, skin was showin'
Hot night, wind was blowin'
Where you think you're going, baby?
She then recounts meeting Lucifer face-to-face; her clothing torn from the chimera, as the hot sulfuric winds blow through the eternal night of Hell. She questions the Devil, forgetting that she must invite him into her soul and says:
Hey, I just met you,
And this is crazy,
But here's my number,
So call me, maybe?
By proclaiming her "number" (666) she swears allegiance to Lucifer, and then coyly asks him to call upon her soul in exchange for her fame.
It's hard to look right,
At you baby,
But here's my number,
So call me, maybe?
Though repulsed and frightened by his physical appearance, she reiterates her allegiance to him and desires to be called upon.
And all the other boys,
Try to chase me,
But here's my number,
So call me, maybe?
She confesses that agents of God, specifically the unfallen Archangels, try to redeem her, but she steadfastly refuses by calling out
the number of the fallen one.
You took your time with the call,
I took no time with the fall
You gave me nothing at all,
But still, you're in my way.
She recalls the amount of time she had to wait to attain her fame, while it took her relatively no time to fall to his temptations. Even when she did not at first receive anything, he still occupied her thoughts.
I beg, and borrow and steal
At first sight and it's real
I didn't know I would feel it,
But it's in my way.
To prove her loyalty, she subjects herself to a life of street crime in his name, until finally she is granted her fame-- "at first sight and it's real." Note however that on the audio track, this line sounds like "Hail! For, Satan is real." An eerily apropos declaration to make after the closing of a deal with the Devil. She proceeds by admitting that she didn't know if fame would change her, but it too comes to consume her.
Before you came into my life
I missed you so bad
I missed you so bad
I missed you so so bad.
Before you came into my life
I missed you so bad
And you should know that.
So call me, maybe?
Now that she has attained her wealth and fame, she effusively thanks Lucifer and reproclaims her allegiance with the oft-repeated refrain, "so call me, maybe?" This is symbolic of the Illuminati rituals that will inevitably become a routine of her life.
I mean, the song is shit lyrically. How the hell could something so tasteless and dumb become big? Illuminati promoting it perhaps. How could a horrible song like that from a nobody be played more than rappers who already have a huge following like KanYe's Mercy?
One cannot simply assume something of such greatness. Yes it could be but it's also a play on words.
"The Curtains were Blue"
What the author meant - The curtains are the color blue
What another assumed - The curtains represent his morbid life.
Plus take religion as another example.
What was a way to feel comfort? They created a huge assumption that there was a higher being, and that's exactly what you were doing there.
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